![]() ![]() The clarinet is therefore called a B flat instrument. The clarinet player, for example, seeing a C on the page, will play a note that sounds like a B flat. The music for transposing instruments is not written or read at concert pitch. This is because the clarinet is a transposing instrument. ![]() This may seem obvious, but a clarinet player who sees a C on the page will play a note that does not sound like a C to the other players. A pianist who sees a written C will play a note that the violinist would agree is a C. For example, piano, organ, oboe, violin, guitar, and trombone are all C instruments. As is true for so many aspects of music notation and theory, there is no logical reason it is just a happenstance that arose out of the history of Western music.) (You may wonder why A is not the natural key. This is because the key of C is the "natural" key, the major key that has no sharps or flats, only natural notes. Used in most genres of Western music, concert pitch is usually defined by saying that a pitch that sounds at 440 hertz is an "A", with all other pitches related to that A using equal temperament tuning.Įven though concert pitch is defined by the sound of an "A", instruments that read music at concert pitch are called C instruments. The most widely used standard is called concert pitch. It is easier for musicians to play together, talk to each other about music, and share written music with each other, if everyone agrees on the same names for each pitch. To understand transposing instruments, their purpose, and to provide examples of transposing instruments. ![]()
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